In this three-part series, my aim was to explore the themes of chronic reliance on technology and the internet. By enveloping much of the frame in shadows, I created a striking contrast with the illuminated screens of phones, iPads, and televisions, ensuring they remain the focal point of most shots. One approach I employed was to convey a distortion of thought across each screen. For instance, two shots showcase vibrant, colorful displays that initially captivate the viewer's eye. However, as the focus sharpens, darker messages begin to emerge — such as the notion that a fulfilling life can only be found in virtual realms, or continous sensutalized images of violence or death across the globe that are readily assessible.

One image features the phrase "Not your portrait" prominently across the entire frame, serving as a warning about the parasocial relationships or prejudice inepretations of strangers fostered online. It reminds viewers that despite feeling deeply familiar or emotional with an online figure, they hold no significance in your life, nor you in theirs. Essentially, you do not exist in their portrayal or “portrait”, and neither should they for you.

When I first envisioned this series, I was excited about using the dynamic landscape of urban architecture to convey a sense of unity. My initial idea centered around capturing utility poles scattered throughout Tucson, framing them so that their wires would align in a mesmerizing way when printed. With backgrounds showcasing the diverse settings of Tucson—from lush grasslands to bustling downtown hubs and winding roads—I aimed to encapsulate the essence of community.

However, while exploring the vibrant streets of downtown Tucson, I stumbled upon the legendary Blue Line Trail! This captivating 2.5-mile loop was painted with great intention to highlight various regions of the city. Walking along the trail, I was thrilled to witness the rich tapestry of communal diversity that Tucson has to offer. To truly capture this exhilarating blend of unity and community, I set out to document several differing moments and locations that follow the Blue Line Trail. To encapsulate my intention, I made sure the line had the greater saturation so that the pathway connecting each of these regions would be emphasized first.

For the following project, I hoped to create a concept of a halt in life by using the visual metaphor of staircases. With how relative stairs are as a means to climb upward, I believed they’d help pronounce a journey across life. By having the camera angled to gaze downward, I hoped this would decontextualize those motifs of passing travel by putting a focal point on the past steps themselves, which would be seen as your first climb to get anywhere. Immediately establishing a metaphor of reminiscing said past while simultaneously showcasing nothing above, as if there is no way to see said future steps to get to any destination. Which envisions an unsure future and a pause in the present.